Bill Skinner, a freelance cameraman for CNN, CBS and a number of other media organizations, had finished his latest contract shooting for the US State Department in Afghanistan. So, getting away to enjoy one of his passions, tactical-style firearms, was a nice respite. There were the Armalites, Colts, Springfield Amory, Browning offerings—I ran through a nice .308 offering from Armalite that I’ll look forward to trying in the field for wild boar in Texas. After a few well-placed shots into the metal targets at Springfield Armory’s range with what is a sweet-shooting version of the 1911, the Range Officer, we walked up the hill to Winchester’s display of the new Razorback XT, in .223 Remington and .308 Winchester.

Because of how the proliferation of AR-15 style rifles have inundated the market, and been effectively used in the battle against the overpopulation of ole Mr. Razorback in states like Texas, what better decision than to release a powder and projectile match as these rounds with a proper bullet to rip through hog hide and gristle and reach the vitals in a large pig?

The Armalite offering for wild boar?

The Razorback XT .223 round was released in a 64-grain bullet, while the .308 version is delivered in a 150-grain. Some might think that a .223 round is a little too light for feral pig hunting, but up to 200 yards, this round does it job. For someone who hunts most of his feral hogs in California, and often in the lead-free zone of Central California, the non-lead attributes of the Razorback XT is a God send! It is specially designed to not start deforming until after having pierced the hog’s armor. Now, all we have to do is get around the legal restrictions of the AR-10 and AR-15 design in California, which is laughable.

…Right after putting a number of Razorbacks down range, Skinner and I nwent over to the shotgun range to check out the latest release of Winchester’s wildly successful Blind Side.

An impressive, light load that patterns well!

This year they’re releasing a #5-shot load in 2-3/4-inch shell, along with a #2-shot load. From the way it patterns it looks like a great round to get those ducks in the 25 to 40-yard range…my favorite for shooting over decoys. Check out the latest episode of Cork’s Outdoors TV below:

If you remember the British cooking series, Two Fat Ladies, of PBS and BBC fame, you’ll immediately recognize Clarissa Dickson Wright as the taller of the two, not the proud chainsmoker who passed away from lung cancer in 1999.  Dickson Wright is the co-author of The Game Cookbook with Scottish farmer and outdoorsman, Johnny Scott.    

A gorgeously illustrated review copy sent to us by the publisher, The Game Cookbook takes standard table game and puts a variation on it that brings out the best qualities through innovative experimentation, with classic recipes and those that seem to have been magically created by neighbors on the other side of the authors’ hedge.    

Included are recipes that are very traditional in the UK and Europe. Others reach to the Middle East and South Asia, modified from recipes based in preparing more traditional farm-raised meats. Well-read and always willing to tell a story, Dickson Wright colors the recipes with asides of family histories and remembrances of foreign travel and meals had with friends.    

You’ll find that it’s very much a UK book with such references as “wapiti”, which those of us in the US and Canada recognize as elk: what they call elk in Europe and the UK, we call moose in North America.    

The artwork gracing the pages is a mix of old paintings, of hunting and fishing in North America and Europe, even movie stills (James Mason looks quite dashing with a side-by-side), and then photos of completed dishes just as beautiful as the sketches and historical art. Together they bring to the reader the old and new of game and fish cuisine, along with anecdotes that can prepare the neophyte hunter or angler for their first hunting or fishing experience.    

At the end of the book is a listing of hunting and fishing organizations in the UK and US, along with a collection of wildlife agencies in the United States. For those who might not be personally able to collect their own main component of a game or fish dish, a listing of game suppliers offering meat farm-raised animals (unlike in Europe, where wild game and fish are sold in many shops, the selling of true wild game in the US has been illegal for years) provides an option.    

One of the topics that I keyed in on, because it puts so much fear in the new game chef, is aging. In the US of late, as the tradition of hunting has skipped one, two or even three generations, the result of more Americans moving into urban areas in pursuit of employment, the art of aging has been forgotten. If you read some of the forums on the Internet, there’s such an intimidation toward aging and meat contamination that it can sometimes be humorous, sometimes sad…. What would people do if suddenly our refrigerators no longer worked and we were suddenly dumped into a kitchen life experience most families had up until the end of the early part of the last century?    

Aging was a heavily practiced technique for stretching the day’s take, improving flavor and tenderizing a tough old bird, or side of venison. It all has to do with air temperature and humidity: cool and moist tops the list, and extends the aging time. The author goes through the aging process for just about every meat type taken, from grouse, to pheasant to venison.    

There are also recipes for those that might not be specifically sought in the US and Canada, but are looked forward to in Europe and the UK, such as carp. There are recipes for grouse, pheasant, elk, moose, antelope, caribou, wild boar, partridge (chukar), quail, dove, American woodcock, snipe, hare (jackrabbit), cottontail, salmon trout, sea trout, zander (yellow perch), pike and of course goose.    

At the back just before the meat supplier’s list, is a collection of recipes for compotes, sauces and stocks bringing out the best flavors of the dish.    

When it came to testing a recipe, I decided it was time to use one of the many pheasants that Ziggy had pointed out for me last year—the dish quick to prepare and a rich, creamy mix of flavors!    

PHEASANT WITH NOODLES AND HORSERADISH CREAM

A bit sweet. A bit tangy. All delicious!

Ingredients:    

• 1/3 cup (3/4 stick) butter
• 4 pheasant breasts
• 4 shallots, chopped (if unavailable, use 4 tablespoons of chopped mild onions)
• 1 clove garlic
• 2 tbsp bottled horseradish, or 1 tbsp strong fresh horseradish, grated.
• Juice of ½ lemon
• 2/3 cup heavy cream
• 1 packet black or green Italian noodles or make your own chestnut noodles (enough for 4 people)
• small bunch of parsley, chopped
• salt and pepper to taste

Steps:    

1. Heat the butter in a heavy frying pan for which you have lid
2. Sauté the pheasant breasts until they are sealed
3. Remove them and sauté the shallots and the garlic until the shallots are pale gold
4. Remove and discard the garlic clove
5. Stir the horseradish into the shallots
6. Add a tbsp, or so, of water and the lemon juice
7. Return the breasts to the pan, add the cream, and cover
8. Cook gently for 15-20 minutes, until the breasts are cooked
9. If the sauce is too wet, remove the breasts and zap up the heat to reduce
10. If it’s too dry, add a little more cream or some dry white white wine
11. Cook the noodles according the package instructions and drain
12. Serve the noodles with the pheasant
13. Sprinkle the chopped parsley on top.

RELATED LINKS:    

• Hank Shaw’s Retro-Fabulous Pheasant
• Hank’s Roast Pheasant with Prickly Pear Glaze
• Ultimate Pheasant Hunting’s List of Pheasant Recipes

Hung for two days in the garage and sitting in the bottom of my freezer for the last three years, I was wondering if the goose was still good. One of a snow and specklebelly pair that I had taken in the Sacramento Valley while trying out a new SP10 and 3-1/2” Remington 1187, it fell to the matched Federal Premium Blackcloud BB-sized pellets. 

That Blackcloud collar is the reason birds just drop when they get hit...

When I was done with the aging process and had plucked them (the fresh hearts and livers had gone into a Ziploc, the day the geese were taken, for a later liver paté greatly enjoyed and long missed) I wrapped them in a three layers of cellophane. 

Surprisingly, three years later, not even a trace of freezer burn! 

Originally, I was going to do a book review of Chef John D. Folse hunter’s cookbook bible, After the Hunt, but then something wonderful happened—the first round of figs turned a beautiful dark purple, signaling their ripeness! 

My huntin’ buddy Hank Shaw has written an number of articles on syrups, and one fig syrup recipe caught my eye. But, I enjoy eating my figs fresh and whole, so in order to stretch them, I decided to make the sauce for my goose more like a turkey’s cranberry sauce, thick and more like a jam. 

Figs from now until end of A Zone deer season in September

On the subject of the meat and “things not to do” once again surprised me by actually doing them. Always told that refreezing meats would make them somehow worse didn’t seem to be true with this goose. 

Two weeks ago, I had gone through the whole process of defrosting and brining the goose, but when the day came for cooking, I realized I didn’t have all the ingredients for the full dinner, nor the time—probably happened to you as you remembered a dinner or other meeting almost too late? 

Taking the goose in the pot that it had been sitting in to dry (I like to remove the brine for a day to let the skin dry in order to improve the browning and crisping of the skin), I put the whole thing in the meat freezer. 

A week later, I had everything and the time….defrosting again, with trepidation: I was told that meat frozen and refrozen is just horrible….And when it was all done, the goose was delicious! 

Since the Fig Sauce takes the longest, make sure to prepare it first. 

Specklebelly Goose with Fig Sauce

Fig Sauce Ingredients:

1 can chicken broth 

1 tsp Herb de Provence 

1 cup of sugar 

10 figs 

1 tsp salt 

2 cups of Pinot Noir (in this recipe a bottle of 2007 Peters Vineyard from Papapietro-Perry Winery was used) 

Steps:

1. Finely chop six figs and add to a saucepan. 

2. Save four figs and cut them lengthwise into sixths and set aside. 

3. Add all ingredients and bring to a fast boil, thicking the sauce through evaporation—about 25 minutes on high heat. Sauce should be the consistency of thin jam. 

4. Add the figs slices and simmer for another 10 minutes and set aside. 

Goose Ingredients:

1 Specklebelly goose 

1 large red onion 

1 tbsp Salt 

1 tbsp Black pepper 

1 tbsp Olive Oil 

Steps:

1. Brine the goose over night in a gallon of water with one cup each of sugar and kosher salt (use only ceramic or plastic containers so that there’s no reaction of the brine with metal). 

2. Drain the brine and pat away the excess moisture on the goose and place it back in the empty brining container 

3. Let is dry in the refrigerator for at least 6 hours. 

4. Place the red onion in the cavity and rub the goose skin olive oil and then the salt and black pepper. Truss the legs or simply stick in the open cavity under the tail. 

5. Place in a cast-iron skillet and place in an oven that has been preheated to 400-degree Fahrenheit. 

6. Roast for 25-30 minutes at 400 degrees. 

7. Remove and let rest for 10 minutes and then carve, serving with a two cooked fig slices and sauce. 

8. Save the goose drippings and use to brown the potatoes. 

Cook goose like a great steak -- medium rare!

Roast Potatoes with Salsa de Mani (Peanut Butter Sauce)

Salsa de mani ready to serve

Preparation time: 40 minutes

Modified to use country roast potatoes instead of the traditional boiled, this family recipe has been served by mom ever since I can remember. An Ecuadorian recipe of Inca origins, it’s normally served with that other Incan delicacy, cuy (roast guinea pig). 

Ingredients:

6 Red Potatoes 

3/4 Cup Chunky Peanut butter (sweetened) 

1/2 Cup White onion, thinly sliced crescents 

1 tbsp  of Achiote seeds 

1 Cup Milk 

1 whole Onion 

Pinch of salt 

1. Wrap the potatoes in moistened paper towel and put them in the microwave for 6-7 minutes until soft to squeeze.
2. Quarter them and dowse with olive oil.
3. Fry the achiote seeds until the oil leeches out.
4. Remove the seeds and then fry the onion in the red-tinted achiote oil until they’ve sweated and translucent.
5. Add the milk, pinch of salt, and then disolve the peanut butter in the milk, stirring as it comes to a low boil. Don’t over cook the sauce. It should be creamy and the consistency of almost watery tooth paste, not peanut butter.
6. Put the quartered potatoes in skillet previously used to roast the goose, uncovered, to brown in a 500 degree Faranheit oven, 10-15 minutes.

NOTE: I used the Big Green Egg for the goose and the potatoes. 

Total Preparation Time: 2 days

Save the carcass to make a great soup!

 

It’s amazing how the screech of a poorly blown duck call can sound like a teacher drawing her nails across a blackboard. Such is the sound of waterfowl hunters who start much too late in their preparation for the season.     

Being prepared isn’t just about calling, either: there’s making sure your shotgun’s shooting as well as last year; checking your duck jacket to see if you need to patch some holes, or just get a new one. Is your ammo shooting the way you think it is?     

Every year it behooves the hunter to make sure everything is working as they want, and to find out long before it’s time to head out into the field. All too often the first chance at putting wild duck on the table turns dismal—leaky waders, missed shots—or, more dangerously so, duckboats sinking!     

A great waterfowl season begins months before that opener in October.     

Take out your waterfowl hunting clothing now. If it’s your duckhunting coat, hopefully you didn’t pack it away in a footlocker or drawer for the off-season. This compresses the insulating materials and such repeated season storage depletes their ability to keep you warm the next season. Check it for those holes, and perhaps take it to the tailor to have those shell loops replaced if they’re all stretched out.     

Get Callin’

Spring is also the best time to start your calling practice. As master duck caller—and the one who taught me how to call ducks as a thirteen-year-old newbie duck hunter—Billy Gianquinto recommends, every duck hunter should purchase their calls in spring, get a good instruction tape or CD and practice everyday. It’s during this time, that I carry my duck and goose calls in my truck so that I can practice during a day’s commute.     

What’s nice about practicing your calling in the vehicle is that you need to have one hand free for driving, which forces you to learn how to use your call with one hand: much more appropriate for a duck hunter holding a shotgun in a blind with the non-call hand. This especially comes in handy when learning how to use a goose flute with one hand instead of the normal two.     

Get a good collection of duck hunting videos, not just the slicing DVDs that just show the kill shots. Get the DVDs that take you from calling to learning how to set a decoy set, to best of all, how to call based on what the ducks are doing.  Gianquinto and Cajun Duck Commander Robertson Clan have some great calling instruction videos. 

Hittin’ What You’re Shootin’ At

Cork Graham successfully testing the original Black Cloud through a Remington 11-87 and SP-10 on Sacramento Valley snows and specks

 Now’s a great time to look at what your shotgun really does and with the ammo you choose to shoot out of it. So many duck hunters just purchase a shotgun and a box of shells and head straight out into the duck blind, not even knowing how their shotgun is shooting.     

What sighting in at the range is to a deer hunter with a newly purchased rifle and scope, patterning a shotgun is to a duck and goose hunter.     

The average hunter might be surprised at how many people who purchase a new shotgun think that it need only be pointed in the general direction, and you hit what you’re shooting for. Must have been all those cartoons and mythical descriptions of how the trench guns worked in battle, especially to infantrymen whose rifle skills were wanting—but there are many that think a shotgun has magical properties.     

When I received my first pump shotgun I was surprised at how much I was missing. This was a shotgun built by a major manufacturer—what could be wrong? A trip to the range and aiming at a dot on a large piece of white butcher paper quickly offered an answer.     

The shotgun was patterning up to the right. I could have taken it to a gunsmith and had the pump modified, but instead I just remembered to adjust my shot picture while shooting. Had I not taken the shotgun to the range to find out what was really happening, I’d probably have gone on with a hit and miss for years.     

The decision to pattern a shotgun should be taken not when just getting a new shotgun, but also to see how a new shot load does out a specific firearm. It’s also wise to check into a new choke when purchasing a shotgun.     

For years I only shot the different chokes that came packaged with my shotguns and never inquired into the multitude of chokes, until last year and a chat with George Trulock, owner of Trulock Chokes and a man with a vast firearms knowledge that started in law enforcement, and distilled through many years researching the effects of chokes on shot. I learned how 3-inch chokes are a prime length for patterning a shot load especially steel shot.     

Unlike a rifle that is accurate because of the effect on a bullet by the rifling, a shotgun influences its shot effectiveness by forcing a load of shot into a column that will spread out in as uniform a pattern as possible. By having a choke that that forces the load in three inches instead of two, the pattern delivered is much more uniform: think shot hitting a wall, because it’s so steep and angle, as compared to sliding along the wall because the angle is lessened by the longer length of the 3-inch choke.     

The importance of chokes appropriate to the load was made clear a couple years ago when I tried Federal Premium’s Black Cloud ammunition for the first time. What I consider the deadliest duck medicine out there, I noticed that not only did the unique collared barrel shot perform amazingly, with solidly killed ducks, but also that the Trulock Black Cloud choke I got for hunting with the new cartridge performed admirably. One of the main reasons it works so well is that it’s designed to let out the shot and wad in a staggered manner that permits the shot to pattern effectively without creating so many flyers that destroy a pattern.     

New for this year, Federal Premium has the new Black Cloud Snow Goose load. While the first release of Black Cloud was flying at 1450 fps, the new Snow Goose is screaming at 1635 fps!     

That means it really cuts the geese, but that also means its patterning is effected differently than the slower shot. According to Trulock, the higher the speed, the wilder the flyers as they bounce off the inside wall of the choke instead of slide along its sides.     

As Trulock said, it’s a tug-of-war between killing speed and uniform patterns. Too many flyers and the loss of not only the uniformity of the pattern, but also more holes in that pattern that a duck or goose can escape through.     

Now, all these are just guidelines. Like everyone’s personal preferences for hunting equipment, a shotgun has its own personality and by learning it’s personality, not just shooting it, but modifying it, do you make sure every shot counts…and the earlier you start preparing for the fall season, the more prepared you’ll be to make your fall waterfowl season that much more enjoyable and successful.    

For your daily commute on your MP3 player – Download and Enjoy the latest news at Federal Premium on Cork’s Outdoors Radio:

TOPICS: Federal Premium PR Manager Tim Brandt talks about the history of Federal Ammunition’s merge with ATK, long line of excellent ammunition for big-game and waterfowl hunting, along with the new and upcoming offerings.

Tim Abell on assignment for GRATEFUL NATION in Namibia

With such a thick anti-hunting attitude delivered in so many films these days, except those written by hunters themselves, such as playwright and screenwriter David Mamet, it’s hard to think that Hollywood was once a hotbed of hunting, fishing and other forms of wildlife management. This was when Clark Gable took David Niven up to Grants Pass for steelhead and then later studio public relations photos of Carole Lombard and Clark Gable often captured them with a string of mallards and snow geese proudly held up to the photographer. In a black and white studio promotional photo, Ginger Rogers lay seductively, with a cane pole and in cutoffs and flannel shirt, like a tomboy on a lush lawn, a full stringer of rainbow trout by her side—probably taken at her 1,000-acre Rogers’s Rogue River Ranch purchased in 1940, that I had the opportunity to see last week on a trip for steelhead and salmon with my friends Paul Winterbottom and Jeff Manuel, in a drift boat loaned by mutual friend, Dave Dedrick. Even interviews of Fred Astaire, included a reporter being told that he was going up to his duck club east of Los Angeles to take care of a coyote problem.

As a writer, I’ve had the opportunity to meet and become friends with those contemporary actors and stars who still shine not only as actors but also as hunters. Some I’ve had a long hunting and fishing relationship with, like my wild boar hunting buddy Patrick Kilpatrick. Some I’ve even had the help and endorsement of, like the dear departed Charlton Heston, who was kind enough to write a plug for the inside cover of my memoir that went to #2 for three weeks in 2004 on Amazon.com. Over the last couple years, I’ve come to know and admire an actor by the name of Tim Abell, who so reminds me of that dashing adventurous actor reminiscent of a time when Hollywood’s elite lived such amazing lives off the set themselves (Errol Flynn, David Niven, Gary Cooper, Jimmy Stewart, Lee Marvin, Audie Murphy, Clark Gable and directors John Ford and William A. Wellman quickly come to mind) that sometimes their film roles seemed to not even come close.

To say that someone like Tim Abell is a military veteran, hunter and member of the Screen Actors Guild is very refreshing. Haven’t you also gotten fed up with actors who are terrified of guns, or prominently tout their anti-gun or anti-hunting status, but hire well-armed bodyguards, eat meat killed by someone else, and make their millions off movies in which they kill people by the truckloads on screen? An ex-Army Ranger, Abell, knows exactly what those real bullets do in real-life. A hunter and solid conservationist, he understands clearly where his sustenance comes from.

Cork Graham's Cold War memories: Salvadoran Navy SEALs -- Las Arañas, El Salvador; 1986

Born and raised on the East Coast, near Quantico, VA, Tim Abell learned to hunt with his Marine uncle and even took his first deer on the Marine Corps base. And after reading the book that has inspired so many young American men since the Vietnam War, Robin Moore’s Green Berets (made into a film by John Wayne in 1968), Abell enlisted in the US Army and became a Ranger. While in university, seeking a degree that would offer him the opportunity to try for a full commission, Abell found a love for the arts, specifically theater. And the rest is history as many are oft to say of those who make it in Hollywood.

While putting in his dues, and not finding many willing to speak openly about their affinity for hunting or firearms, Abell’s hunting went by the wayside as he went through the required networking parties and dinners, keeping mum about hunting and shooting. But when called out on the floor about beliefs that don’t fit perfectly with the rest of the Hollywood-types programmed by the anti-hunting industry (PETA/HSUS), or more accurately unwilling to speak up for fear of ramifications to their own employment (doesn’t this remind you of the fear during the McCarthy years?), Abell speaks his mind when asked…even when it might not get him invited again to the same house…

It takes guts to speak up in Hollywood these days, the pendulum swing of the McCarthy Red Communist hunts of the 1950s gone completely to the other extreme: it’s not those who supported the Soviet Union during the Cold War who are blacklisted now; but instead, those who support the 2nd Amendment of The Constitution, hunting as a solid component of wildlife conservation,  the United States’s right (like every nation) to defend itself, and those men and women serving in that military action…Is it truly being patriotic, or military-friendly, when it’s convenient, as so blatantly with the change in attitudes in Hollywood after the recent sweeping win at the Academy Awards of a military movie: Hunt Locker?…It’s easy to be patriotic when the masses are with you; it’s courageous when they aren’t.

…As one who enjoys studying cycles of history, I’m very intrigued by how long it’ll be before that pendulum swings once again away from that anti-hunting, anti-military mass thought, it had swung to in an unnatural extreme during the 1970s and 1980s and back to the pro-hunting, efficient wildlife conservation practices it espoused during the 1920s to 1960s.

Surprisingly, Abell found his way back to hunting while working on his first break as a ex-Marine sniper Benny Ray Riddle on Bruckheimer Productions’s Soldier of Fortune for NBC. As they were filming in Canada, co-star Brad Johnson invited Abell on a hunt into Northern Canada for caribou and black bear. For Abell, the adventure was like breathing fresh air after too long a time submerged. From then on he was part of the small, but proud to be publicly recognized as those in the film business who also hunt and believe in the 2nd Amendment of the United States Constitution: Tom Selleck, Charlton Heston, Patrick Kilpatrick, John Milius, Steve Kanaly, Gary Sinise, Adam Baldwin, DB Sweeney, to name a few.

To say Tim Abell became a hunting enthusiast is an understatement, as I’m sure anyone can relate to, who is passionate about hunting, been away from it then once again renewed that bond with such an important part of the human psyche as well, because of fund from taxed hunters, so supportive of all animals. To correct all that anti-hunting malarkey taken for fact, all of hunting taxes and fees go to the buying and supporting lands for ALL wildlife, while most, if not all, of the money collected by anti-hunting groups such as PETA and Humane Society of the United States (HSUS) goes to advertising…if these anti-hunting groups actually succeed in wiping out hunting in the world, it’ll be the wildlife that suffers the most!

GRATEFUL NATION

Tim Abell's succcess with a new .338 Federal on wild boar on GRATEFUL NATION

For many the idea of having combat veterans out in the field, hunting with a firearm, may seem out of place. As a combat veteran who attributes my own healing of four years in the Central America War, through the immediately following experience as a subsistence hunter, living with and learning from a Native community in Alaska, I am thrilled that people are beginning to get it…again.

Until the Vietnam War, hunting was an activity that a majority of combat veterans participated in upon their return home: it’s one of the reasons that the bolt-action and semi-auto rifles took over as the hunting rifles of choice in America after WWI, from the previously preferred lever-action-many of those returning young men were introduced to bolt-action rifles in the military (explains why presently so many black rifles have become hunting rifles with so many hunters introduced to firearms an assault rifle). The surge is what led to the megamillion dollar surge in business for hunting, fishing and camping products manufacturers from 1920 to 1970. As a combat veteran myself, I noticed how being in the woods with a rifle brought up memories of war that I was able to confront on my time as compared to a sudden sideswiping PTS (post-traumatic stress) flashback or nightmare.

Cork Graham healing war memories as a subsistence hunter in Alaska, circa 1990

Later, as a counselor specializing in helping veterans and other types of trauma survivors dealing with PTS and the symptoms of what I prefer to call the PTSR, I truly understood how going into the field, carrying that firearm, much as might have occurred only weeks and months before in battle, but now instead hunting game for the table, creates a new subconscious imprint, in the healing of the wilds, on an activity that if not dealt with, comes up weeks, month or even many years later in an uncontrollable event.

For some this uncontrollable event can be as benign as becoming completely overcome by a seemingly uncontrollable mega-wave of sadness and guilt, for others it can manifest as an uncontrollable rockslide of rage that ends in someone getting killed. For many though, especially those who’ve drunk the Kool-Aid disseminated by anti-hunting groups, the fact that hunting can actually help a trauma survivor confront and overcome the contemporary effects of conscious and subconscious memories and interpretations of the past trauma seems so contrary to what many think.

That Orion Multimedia, LLC. produced Federal Premium’s Grateful Nation was brave. That ESPN2 would broadcast a program that touches on the controversial subject of putting a firearm in the hands of a newly returned combat veteran (much less anything that brings the reality of a war nearing 10 years long into American public’s living room in addendum to daily news), and have them go through a form of healing and self-awareness spurred on by the host’s questions, on camera is amazing!

The premise of Grateful Nation is very simple and like we used to say when deep in a fierce fight: the quickest path to victory is a forward-moving straight line—keep it simple, stupid (KISS). Invited out on a hunt, the combat veteran is followed by the camera crew as Abell asks the right questions at the right time to open up a world that the majority of the viewing public have only learned of through the images and words, often distant from those combatants actually being reported on, to support a news producer’s theme.

Abell makes this much more personal, which actually might turn off many because of the graphic description. Personally, I’m very much for it. There has been a great avoidance in the world about dealing with the realities of the world, much of it starting with children led to believe their hamburgers and fish sticks come from a cellophane wrapping machine, instead of a steer getting a cattle prod to the brain, or a salmon a metal club to the top of its head and a quick evisceration.

There’s something very honest about knowing where your meat comes from, and knowing what your sons and daughters are getting themselves into when they go off to war. Do I think this stops war? No. Even with all the news stories, books, and broadcast over the last 50 years, there are more wars happening around the world now than there were during the Cold War. My hope is that the American public gains a better awareness of what a combat veteran has gone through and recognizes it, and lets them deal with it in a healthy and effective manner (and not only offer politically correct, and often, ineffective options) during their homecoming.

For those of us who remember vividly how unjustly military personnel, and especially Vietnam veterans (takes a lot of mass harassment for a veteran to not even be willing to mention military service on their job resume—the case for many returning Vietnam veterans, a historical fact forgotten by many), were treated in those 15 years after the fall of Saigon, Grateful Nation is a media and cultural waymark long overdue…something to ponder as we come upon Memorial Day, an annual event meant for remembrance of those we’ve lost in war, either those right next to us in combat, or far off in a distant land.

For your daily commute on your MP3 player – Download and Enjoy Tim Abell’s interview on Cork’s Outdoors Radio:

 Topics:

Track 1: Tim Abell talks about Grateful Nation and next production at Flying B Ranch.

Track 2: Tim Abell reminisces about first times hunting, enlistment in the US Army and achievement of Rangers, paying dues in Hollywood, and return to hunting.

Track 3: Tim Abell chats about pro-2nd Amendment/hunting Hollywood players, and upcoming film projects he’ll be participating in.

Craig Boddington, and his guide, Cano St. Antonin, with a fine red stag taken on the Huemul Peninsula.

Argentina conjures a variety of images for those who’ve never been there. There’re the gauchos, the Pampas, and tango. For the angler there are the monster-sized trout and salmon in rivers that seem untouched because of the stretch of land that fills the borders of the country as well as its meager population that centers around Buenos Aires. For the hunter, there are the photos and images of ducks and big-game that have graced magazines, and as of late, those through the onslaught of 24-hour outdoors satellite programming.

It wasn’t always like this. Yes, there were the trout, back in the 1970s when South American was truly only a blip on the salmonid fanatic’s radar; but when I first saw the images of red deer antlers grace the pages of hunting magazines in the late 70s and early 80s, they were nowhere near the size and impressiveness they are now.

Much of this has to do with how well they’ve managed the herds that were previously left to roam without any real predation-like bluegills in a pond, they quickly overpopulated and their rack size dwindled in response to the lack of food and nutrients.

Because of the new land and wildlife management practices implemented in Argentina during the last 20 years, Argentina is really giving New Zealand’s Utopian red stag hunting a run for the money. Culling the scrawny genetics, and managing for quality instead of quantity, has created a balance between feed and minerals: showing how good management practices benefit not just game animals but non-game peripherals, adding to the grand beauty of the land  and hospitality for which Argentina has always been known.

What better way to cook meat than in a traditional parrillada?

Big Game Argentina records the results of this improved bounty for the outdoors enthusiast wanting to travel Argentina and is the latest offering from Gen. Craig Boddington USMC (ret.). An outdoor writer, book author, show host I’ve admired and respected for years, a man who offered me words to live by back in 1994 as an newbie outdoor writer for The Times of San Mateo County, Boddington’s credentials speak for themselves with over 30 years in what is one of the harder and becoming more and more the hardest writing profession to create longevity.

In his book and DVD collection about hunting in Argentina, Big Game Argentina, Boddington and the photographer, Guillermo Zorraquin, deliver a plethora of what’s available in striking detail (what we in the business call “NGC”, National Geographic Color). From the province of Patagonia, north to Chaco and Santiago Del Estero, west to La Pampa and finally east to the province of Buenos Aires, Boddington and the publishers John John Reynal  and Juan Pablo Reynal took on an enviable, yet sobering project that took two years to complete.

In the offering, they delivered what I consider the most informative and beautifully illustrated book in years on Argentina and hunting red stag, white-lipped javelina (peccary), ducks, doves, water buffalo, puma, blackbuck, capybara, brocket deer, and feral sheep, goats and hogs.

Boddington's fine example of a white-lipped peccary

In a world in which text is not enough, and as a result traditional printed magazines are going the way of the dinosaurs, and multimedia is king (explaining why Cork’s Outdoors gets 11,000 hits a day) Big Game Argentina is nicely matched with a DVD that fills in the dialogue and action that can’t really be captured in text, and yet video doesn’t try to replace the informative quality of text delivered by Boddington’s honed skills as a writer.

A quick mention of the charcoal artwork by Esteban Diaz Mathé must be made: the work is superb and really adds to the quality of those images not captured in photographs, making the book anyone would be proud to have sitting on their coffee table for friends to enjoy.

Often, many of those traveling think that hunting Argentina only involves staying at estancias and hunting open Pampas. Big Game Argentina lays that stereotype to rest with text and photos covering with dramatic flare the many options of hunting Argentina: like French Alps-like mountains and New Zealand’s Fjordland-like lake and sea area to the south on horseback, or the low brush options further north, reminiscent of eastern Colorado, and the flat brush of Texas, to name a few.

A sampling of the dramatic views the hunting lands of Argentina offer

As for capturing the adventure and drama a place like Argentina on the DVD, one of the most striking scenes is one in which Boddington, while on stand, waiting for dogs to drive out a collared peccary, sees a brocket deer break from the brushline. Swinging on the brocket with a shotgun, he dramatically takes a nice deer that reminds me of the dik-dik of Africa. In another scene he makes an amazing shot on a capybara, also on a full run. Kudos to the videographer for his skill catching all the action over Boddington’s shoulder.

In contrast to the native species, and aside from the more famous red deer, there are the fallow deer, feral hogs and water buffalo. Raised in Southeast Asia, I was always amazed that the animal I always saw as a child pulling a plow across a rice field had become such a prized game animal in places such as a Australia and Argentina. While the ones from Australia have a much larger sweep and are originally from the wild strain. The ones in South America descend from the farmed water buffalo that were originally brought to what would become Italy by the Ancient Romans, for their milk and the best mozzarella resulting from that water buffalo milk.

Through centuries of genetic selection, much in the same way Herefords are these days chosen over the original Spanish Texas Longhorn as cattle type, the farmed water buffalo has a much smaller horn, with a much less ominous wide curve of its originally wild cousin in Southeast Asia and Australia, which ironically makes it look more African cape buffalo and trophy in its own right in the feral and very wild form covered in Big Game Argentina.

If you’re planning on hunting or even just traveling or Argentina, or prefer the armchair traveler’s voyage to South America, I’d highly recommend adding the book and DVD pairing of Big Game Argentina by Craig Boddington to your collection.

Books are available through www.craigboddington.com

Book and DVD are available through www.patagoniapublishing.com

For your daily commute on your MP3 player – Download and Enjoy Craig Boddington’s interview on Cork’s Outdoors Radio:

 Topics: Hunting Argentina, helpful advice for neophyte outdoor writers, hunting Africa and Boddington’s two shows broadcast on The Sportman’s Channel and Outdoor Channel, and finally what’s new with Boddington’s writing and adventures in the coming weeks and months.

There was so much there, I didn’t even get to the first floor! On an introspective level, I noticed that in the time that I was away, there was a stark increase in the percentage of tactical to traditional hunting equipment. In my search I found those highlights that can be used not only in straight tactical events, but in hunting, too:

Visiting our friends at Nightforce Optics, Brian Gearhart gave us a talk through on the new Velocity Reticle.

A stop at TAPCO gave us an opportunity to talk with Kevin Miller about aftermarket products to make your Ruger 10/22 rifle that much more comfortable to shoot.

Jim Gianladis offered a great walk through on the new products coming out in the next two months from Caldwell, Tipton under the Battenfeld Technologies, Inc. umbrella.

Ed Schoppman talks about EOTech, Inc’s holographic sight system that really takes your  CQB (Close Quarter Battle) turkey hunt to a faster and much more accurate sight picture.

Last, but definitely not least is clothing, which when you pick the wrong type can get you killed in the field. Here’s Blackhawk!’s innovative 3-Layer system.

NEXT

1. Sighting in with Nightforce Optics

2. Small game hunting with .22 cal pellet guns

Imagine a 13-year-old in a new land, dreaming of doing what his father had done at his age. The teen arrived in the US after spending all his previous years in foreign countries and reading late-arriving Boy’s Life, Outdoor Life and Field & Streams, thinking that when he returned to the nation of his nationality, he’d get to experience what his father had been blessed with from the 1930s to the late 1940s.

How wrong was that kid!

California in the late 1970s was quickly on its way to becoming the most expensive state within which to reside. Land prices forced out family-run ranches and farms, forcing sales to foreign-owned corporations. In the process, a simple handshake and promise to leave each cattle gate as found (normally closed), perhaps a bit of the meat or fish from the day’s take to the landowner, no longer led to an automatic permission to hunt privately-owned land, i.e. most often the best land to hunt and fish in the United States.

No, no, no. Instead, large club were formed to purchase hunting and fishing rights at thousands of dollars, something a young teen couldn’t even imagine of paying then. The only options were to hunt public national forests for deer, and bear, (pigs focus on free eats and safety on private land, so were never really an option unless you had access), and the waterfowl refuges.

If my parents hadn’t stepped in to get a family membership with the now long gone American Sportsman’s Club (most of the properties went under the Golden Ram and Wilderness Unlimited domain), I probably would have spent years on public land getting skunked like so many neophyte hunters experience on public land. What was more important wasn’t the access to private land, but the education available from the much more experienced hunters and anglers on the membership roles, and, too, the hunting seminars.

Billy Gianquinto conducted one of them. This is the man in 1977, who taught me to how to get ducks!

There are some people in life that you meet who just have that charismatic quality about them that makes an impression on you. When it comes to duck hunting, the one who made the best impression on me was Billy Gianquinto.

The next time I met Gianquinto after that instruction in 1977, was right after I had returned from hiding out and healing in Alaska to find that my old friend, Mark Eveslage, a cameraman well decorated with awards like the Emmy and just last year the Edward R. Murrow, was working on a new show, called the Charlie West’s Outdoor Gazette TV show. Better known for ducks, Gianquinto was their hunting host, and went off well with his own Billy and Buck waterfowl hunting show that I would enjoy regularly during the 1990s.

Nowadays, Gianquinto and I both write and host for e4outdoors.com. And all this time, he never knew that I was one of those kids he taught way back, until just a few weeks ago.

…That’s Billy Gianquinto’s gift: working with and teaching young hunters how to get their ducks—making sure the hunting line doesn’t die out with each succeeding generation. In all honesty, with all the “master” duck hunters I’ve interviewed and hunted with, my knowledge of duck hunting always ends up coming back to the tried and true teachings of Billy G.

From him, I learned how to call pintails and whistle widgeon and teal. With his knowledge I got my mallards. Though he no longer teaches it, because he can’t reach those notes anymore; I can still call in honkers with my voice. And when steel shot first came in, he taught me to “open up that choke!”

With an initial knowledge of hunting built through reading and rereading classics like Hunting the Lawless and The Outlaw Gunner, and formed by great writers, many long dead, like Nash Buckingham, Ed Neal, and Walt Christensen, Billy G’s hunting history reaches back to when he was eight years old and saw a film starring matinee idol Errol Flynn, called “Robin Hood”. With a full costume like his favorite character and a bow, he ventured by bicycle to Golden Gate Park for the squirrels and pygmy rabbits hiding in the trees and brush. Soon, he went on a “real” hunt, a duck hunt with a boss at the Boy Scout camp he worked at during his youth.

The article on that life forming event, shows exactly that mad, yet endearing, quality that duck hunters have over other hunters: who else actively anticipates the worst weather of winter and fall, and talks to themselves all the rest of the year with a duck call in their hands, and spends untold amounts of cash on the latest piece of waterfowl hunting equipment, and risks divorce just to get into a blind when the birds are in?

Personally, my own waterfowl madness started with a friend from high school in Belmont, who pestered me to join him in the sucking San Francisco Bay mud flats and islands off Redwood Shores, right after I learned to call from Billy G. I can really relate to Billy G’s conversion to duckhood—with all its pain and self-questioning. There’s just something about seeing a bright greenhead cupped and floating down into your dekes, or my favorite, as I’m at heart a goose hunter, flagging a distant flock of Canada geese that break off the main flock and almost land on your head as you lay on your back in a dry barley or wheat field, waiting to make a clean headshot.

And that doesn’t even call up memories of great meals prepared with the waterfowl taken over grain and green pastures that make me think of mallard and honkers as “filet mignon the wing.”

If you’d like to be converted to sitting in bad weather (though that can be a myth, too: many a mallard has fallen to guns on blue birds skies), and learn the tricks and tips that keep you from coming home cold and skunked, check out Billy G’s seminars at ISE Sacramento this weekend, and check out his website full of useful information and articles. And if you want to get a pintail whistle that will actually pull ducks away from others calling (it’s made of metal which is why it’s so loud), I can’t say enough good things about Billy G’s pintail whistle!

ISE

The days of having a relative teach you how to hunt and fish are sadly going the way of the California condor. Thankfully, there are still shows in California and around the country that provide that education by experienced professionals. Waterfowl, big-game, trout, salmon, steelhead, and most of the equipment you need to actually go out and do it with are available for purchase and or trying out at shows like the International Sportsmen’s Show—no, the traditional name doesn’t just mean for men, as the quickest increasing population of hunters are women!

While chatting at our mutual friend, Michael Riddle’s Native Hunt booth; black cowboy hat-wearing, fellow pig fanatic of The Hog Blog, Phillip Loughlin, shared the same hope that these shows will keep the hunter’s torch blazing and lighting the way for new hunters to get hte right information and a solid opportunity to hunt private lands locked off from the public.

The Hog Blog's Phillip Loughlin, Michael Riddle and the Native Hunt Team

Every year I wait to see what’s new and interesting and to see what new guiding operations are out there to provide the best bang for your buck experience: I’m always for a newbie hunter or angler signing up with a guide or outfitter for their first time, especially in an area that you might want to try on your own-why in the world would you want to spend more money reinventing the wheel, when overall, you can pay much less for a trip with a guide that takes care of all that time lost on trial and errors, so that you can be in the field as someone who is an important component of wildlife management and conservation?

While the San Mateo ISE show is a week over, Sacramento is still raging well: where else can you get the opportunity to meet in person outfitters that can make your dream of hunting or fishing in lands of wonders, like New Zealand, Alaska and Africa?

NEXT

1. Shot Show 2010 Recap
2. Sighting in with Nightforce Optics

Good game bird cooking all starts in the field, and carries through in the days before a bird is either cooked or put in the freezer for a later date. How long, was the question I put to my new hunting friend and writer, Hank Shaw of Hunter Angler Gardener Cook.

Hank Shaw and Cork Graham along with Ziggy after a successful pheasant opener.

 His suggestion was three to four days for a bird club pheasant, that’s basically a chicken that has been getting fast and sassy on a remote feeding system with poultry feed, as was available to us on our first hunt together at the Stockton Sportmen’s Club.

For a wild bird, Shaw’s suggestion was seven days. This is often the recommendation used in Europe, especially the UK. Whether you talk to culinary expert Hank Shaw, or one of those cooking writers we both admire, like British writer Clarissa Dickson Wright, you can’t go wrong with aging your bird–whether two days, three days or until the head separates from the body.

Yes, in traditional British bird aging, pheasants used to hang until it became so rotten it fell to the ground.

When I first moved from combat journalism to outdoor writing, as the outdoors columnist for the last large family-owned newspaper in the San Francisco Bay Area, The Times of San Mateo in 1994 (It was eaten up the ANG /Denver-based MediaNews Group conglomerate in 1997 [renamed The San Mateo Times], along with the Oakland Tribune, Alameda Star and a number of other Bay Area papers [you'll notice the columnists and writers are the same for all those papers]–All they wanted were the printers and real estate. Within a month, all journalists got their pink slips, if they weren’t already looking for more secure pastures…so much for honest local coverage; sadly, this is the way of The Press in the New Millenium: Thank God for the Internet!), I was invited to the Gabilan Valley Sportsmans Club to hunt pheasants for an article. My Chesapeake Bay retriever had his first chance at pheasants and we both had a phenomenal time.

As we were leaving, the owner recommended that we hang our birds. The suggestion was to hang them by the long tail feathers. Depending on how many days and the temperature, the pheasant would fall, indicating that it was ready to pluck and cook or put in the freezer.

TO GUT OR NOT

Personally, I prefer to eviscerate all my game and fish within moments of the kill. It cools the game quickly, which in the Sunshine Land of California is a priority, and more importantly removes all the body fluids that begin seeping into the cavity.

Microscopically, body organs are actually very porous. It’s almost like a sieve. When the body is alive, those organ membranes are vibrant, contracting and expanding to hold or release fluids, as the body needs. When the body dies and the autonomic nervous system no longer controls those actions and fluids that taint meat like urine, stomach acid and bile, those fluids begin a slow release.

It’s the immediate killing, bleeding and gutting of the trout, that I’ve caught or taught others to catch and prepare for the table, that draws the compliments for their taste.

On the other hand, pheasants, along with waterfowl, can often be improved by leaving the innards in during the aging process. You simply hang them whole up in a cool, airy place. This is Hank Shaw’s preferred method.

Personally, I like to keep the innards and use them for a number of table offerings: gravy bits, pate, to name just a few. So, leaving my pheasants, ducks and waterfowl whole is not an option.

The problem is that birds can dry out in the process of them hanging with an empty body cavity. Shaw offered a remedy: stuff a paper towel in place of the organs. It worked fine.

So what’s my method for aging pheasants and ducks and geese for that matter? Simply pluck some feathers around the vent. With the bird on its back, make a small slit above the vent, parallel to the outstretched wings. Just under the point of the breast bone is perfect.

Reach in with two to three fingers and draw out the intestines, gizzard, heart, coagulated blood, etc. Wash off the heart, liver and gizzard.

The gizzard is my favorite for gravy, also quick grilling. After washing it off, slit it down the middle and remove the tough inner skin that is all calloused by months or years of grinding gravel to digest grain. Trim all that might be green from the gizzard fluids. Wash it again after you’ve removed all suggested: inner skins, gravel and grain.

Pay special attention to the gall bladder attached to the liver. It’s dark in color. The dark black or green comes from the bile inside. If that touches any meat or the livers, it’s ruined. Cut it away while making sure to not contaminate your fingers. With heart, trimed liver and gizzard, washed, put them in a Ziploc bag to place on ice. They’ll go in the freezer for another day.

Wash out the inside of the bird and wipe it out a couple times with paper towel. Then, place one or two paper towels in the empty cavity, doing your best to keep any outside materials like dirt, dust or feathers coming in along with the stuffed paper towels.

Shaw has created a nice regulated aging box out of his wine refrigerator. I like to just hang my birds by their feet from a nail in one of the rafters in the cool open area of my garage. Depending on the air temperature, I’ll hang my birds between one to three days.

Pheasants hanging in the garage.

I prefer my birds lightly aged as I’m doing it more for the tenderizing of the meat and helping the birds best retain its moisture while cooking, which I add to with a one day stay in a brining solution once I’m preparing to cook it.

I’ll check the birds everyday to make they’ve not gone over the edge. It’s really just a process of checking the smell. There’s the birdy smell that the pheasant has when it’s freshly killed. Once the bird begins a slight ripening, I’ll immediately pluck the bird, wash it off and then stick it in the refrigerator for at least one or two days. In a Ziploc they’ll last for up to 7 months with no problem.

If you want to keep them for up to a year and a half, sink them in water in a Ziploc and the ice will keep them from getting freezer burn and drying out, just like a wooly mammoth.

…Hank Shaw has been commissioned to write a book–so stay tuned!

Happy New Year!

Ziggy and me in El Dorado NF

My girlfriend keeps calling the California Valley Quail the Shinto priest and it’s starting to stick: those single head feathers do make them look like a Japanese priest. I’ve been chomping at the bit to hunt quail with my new, young Brittany. But, last weekend the quail season hadn’t opened in the area I wanted to scout out.

Instead, we went hunted last weekend for Mountain quail after reading an article in Western Outdoor News (WON), and of course the areas mentioned in the articles were hammered. Sadly, it was evident not just in the scarcity of birds [got only one opportunity--at the end of the long walk, of course] but in the number of spend shotgun cartridges littering the mountain roads in El Dorado NF.

This week I’m headed to another place, BLM property, for the general opener of California valley quail. I’ll be headed for the Sierras again, the lower Sierras this time. Going to be interesting to hunt public land during an opener like quail, especially after learning the Clear Creek Management Area near Hollister has been closed. That was one large piece of property full of quail, turky and pigs. Won’t be opened until next fall.

Well, I guess I should get some sleep, but I’m revved to take Ziggy for his second quail hunt. I’ll be hunting with, Nick Nigelbaum, 26, one of the co-founders of the The Bull Moose Hunting Society. Will report next week!